Delirious: 1 - Delirious 2 - Landlocked 3 - Intimate 4 - Theoria 5 - Human Response 6 - Angels 7 - Denial 8 - Ambien II of the Five 9 - The Loss Sampling my vintage one-note-at-a-time Minimoog Model D allows it to become polyphonic, making chords of analog filter sweeps and multi-voiced melody lines possible. In the mid-1980's samplers became commonplace and in the early 1990's excellent, powerful sampling keyboards became affordable. Having spent so many years recording with a limited studio and multi-track tape, I found the sounds offered by keyboard samplers and the ease and power of sequencing irresistible. Listen to the entire album at Magnatune.com Click here for purchasing info

Analog Archives Series Survival Analog Archives The Final Years 1984-85 1 - Survival 2 - The Rainy Season 3 - Promise 4 - The Old Days 5 - Waiting for Perfection 6 - A Change of Heart 7 - Distance 8 - Perfection Listen to the entire album at Magnatune.com Click here for purchasing info Immortal Analog Archives 2 The Middle Years 1983-84 1 - Alien Eyes 2 - Emergency 3 - Last Wish 4 - Betrayed 5 - Danger Zone 6 - Hapless 7 - Crosstalk 8 - Brain Damage 9 - The Last Night of Summer 10 - Stay 11 - You Don't Know Me 12 - Destiny 13 - Immortal Listen to the entire album at Magnatune.com Click here for purchasing info Before samplers, before midi, before sequencing; it was me, my minimoog and my Teac 4-track. Every note had to be performed live, every melody line played and overdubbed from beginning to end. There was no digital editing, no computers, no copy and paste. Difficult? Sure was, but I loved every minute of it. The equipment I used at the time was: Minimoog Model D Crumar Performer Wurlitzer Electronic Piano Model 200 Roland RE-201 Space Echo Mu-tron Phasor II MXR Flanger Casiotone MT-45 Casio VL-1 Casio SK-1 (on "Distance" only) Teac 4-track A3440 Teac 4-track A2340-SX I started creating electronic music in 1978 when I bought a minimoog and then added to the studio a few pieces at a time. I still own the above except the Crumar, Casios and Wurlitzer. Every musician has huge reservations about letting the world hear anything they've done that isn't perfect. I decided that I love this music too much not to let it be heard, flaws and all. I had considered the possiblity of reperforming and rerecording these pieces but the new digital synths and effects just don't have the richness and warmth of the moog, analog echo and, frankly, tape. I'm currently transferring the original tapes to computer and will release the complete albums over the next few years. I hope you enjoy listening to this music as much as I enjoyed creating it.